Paté de Fuá
Paté de Fuá was founded in Mexico by the well known musicians Yayo Gonzalez… Read Full Bio ↴Paté de Fuá was founded in Mexico by the well known musicians Yayo Gonzalez and Guillermo Perata. Paté de Fuá grew out of the motivation and need to make a concrete proposal which combines different musical influences, thus developing a musical posture that makes their approach rather unique.
With an uncommon instrumental variety (accordion, bandoneon, cavaquinho, banjo, cornet, alto horn, guitar, vibraphone, marimba, contrabass, drums and voice), Paté de Fuá is an unconventional proposal offering extreme change because the musicians play more than one instrument.
Giving priority to the personal concept of their interpretation, making original compositions and arrangements, and keeping careful selection of the repertoire, Paté de Fuá has become one of the most distinguished groups within the Mexican musical scene.
The original compositions are from Guillermo Perata and Yayo Gonzalez. These compositions have a strong influence from old musical styles, which are widely enriched with the talent of the musicians of the band.
The repertoire includes dixieland jazz, mussete waltz, fox-trot, tango, tarantella, paso doble, and distinctive elements of the traditional world music, explored and composed by these outstanding musicians; with their creativity they offer us a rather unique style that leads to a modern attitude that has not been previously known.
The nature of the band is mainly acoustic, warm, and enormously versatile. They have great artistic, creative, and interpretative backgrounds. They all come to Paté de Fuá from different musical pathways such as Jazz, Tango and Classical music leading to the merging of their styles and personalities which in itself creates the identity that characterizes the project.
Considering that in today’s musical horizon it is much easier to fall into repetitive formulae, that express abstract languages with nonlegible speeches, to force avant-garde expressions, Paté de Fuá proposals, not diminishing the others, searches exactly the opposite. Paté de Fuá proposes without forcing, invites by the work itself, from the own musicality and essence of its content. The complexity of such material is not in the language, but in the careful selection through the search and development of musical material. Which rescues the basic spirit of the music that is, was and will be, born to be listened.
Guillermo Perata:
Cornet, Banjo, Cavaquinho, Alto Horn, Composition & Musical Arrangements.
Yayo Gonzalez:
Guitars, Voice, Composition & Lyric Writing.
Víctor Madariaga:
Accordion & Bandoneon.
Alexis Ruiz:
Vibraphone & Marimba.
Jorge Luri Molina:
Contrabass.
Gabriel Puentes:
Drums.
Guillermo Perata:
Cornet, Banjo, Cavaquinho, Alto Horn, Composition & Musical Arrangements.
He was born in Buenos Aires the 31 of January 1973. He studied classical trumpet with Pascual Mazzitelli (Teatro Colón Orchestra).
He developed remarkable features in improvisation in an autodidact form, integrating since 1992 musical groups with different styles.
Since 1998 he is a leading instrumentist and arranger “Los Rolling Stompers”, With this group he has performed in the most important stages
of Buenos Aires. In 1999 he formed the "2-Trumpet Quartet” and in the same year he takes part in the Argentinian Jazz Orchestra. In July of the 2000 he traveled to the “34th Montreaux Jazz Festival” with the “Buenos Aires Jazz Orchestra”, as one of the main soloists.
Since 2003 he is living in Mexico city and has participated in diverse projects such as “Tijuana Trash”, "Arte 01 Big Band" and "La Tricota del Ritmo". In 2004 he forms the group "Los Rolling Stompers" again with some of the most remarkable mexican jazz players and in 2005 Paté de Fuá.
Yayo Gonzalez:
Guitars, Voice, Composition & Song Writing.
He was born in Buenos Aires Argentina the 14 of may of 1977. He is a composer, singer and guitar player. He studied at the “Escuela Popular de Música del Sindicato Argentino de Músicos” (1997-2002) and in the “Conservatorio Nacional Juan Manuel de Falla” (1998-2003) and is currently living in Mexico City where he has founded Paté de Fuá.
He has taken courses with Eduardo Kacheli, Juan Benítez, Armando De la Vega and Gustavo Mozzi among others.
He has taken part in different musical groups: Plaque Trío: A Tango guitar trio, where as a founding member and arreglista has developed or pefomed (se ha desarrollado) during the period of 1998 to 2002 and participated in Tango festivals in Argentina such as the fetival of music from the “el festival de la música del sindicato argentino de músicos “ sharing scene with artists such as Rodolfo Mederos and León Gieco. Yayo y los Gonzalez: Southamerican popular music quintet, were he has worked as a composer, arreglista, guitar player and Singer during the period of 1999 to 2003. With this group he traveled to Mexico for the first time and participated in the historical center Festival in Mexico city. He is also a founding member of the quartet Cuatro de Copas and de Duo Los Mareados.Now a days with Paté de Fuá he has performed in great scenaries and festivals of Mexico such as Festival del Zócalo, Festival del Desierto San Luís Potosí, Universidad del Claustro de Sor Juana, Zinco Jazz Club, Papa Beto Jazz, Centro Cultural Juan José Areola Casa del Lago, Lunario del Auditorio Nacional, Colegio de México, Pata Negra, among others.
Víctor Madariaga:
Accordion & Bandoneon.
He was born in Mexico City and studied accordion at the . Escuela Nacional de Música de la UNAM. During two years he studied accordion at the Gniesin Institut in Moscow Russia and became the first latinamerican student with a scholarship in that institution, one of the most prestigious world institution in the accordion cathedra
He took magistral classes with Aldo Rizzardi and Claudio Jacomucci italian accordionists and with the argentinian bandoneonist and composer Cesar Olguín.
As a soloist he has performed in different recitals in mexico city and in other places of the country as well as in radio and T.V.
He represented Mexico at the international accordion contest held in Caracas Venezuela.
He has also performed with different theater and dance agrupations in Uruguay, Argentina, Venezuela, Italy, France and all over the Mexican country.
Alexis Ruiz:
Vibraphone & Marimba.
Drummer and Vibraphonist born in Mexico City.
He studied musical theory and piano at the at the “Centro de Investigación y Estudios Musicales”.
He also studies Harmony with Margarita Vega. He also studied a six month long course in recording techniques in Canada.
As a drummer he performs with rock bands: Jessy Bulbo and Titán.
As a Vibraphonist he has colaborated in groups such as “Los Chamberlains”, “los Shajatos” and "Paté de Fuá".
Jorge Luri Molina:
Contrabass.
He was born in México city. At the age of sixteen he began studying classical contrabass and jazz at the “Escuela Superior de Música” with Nikola Popov.
He has performed in Jazz festivals in Germany, France, United States and Mexico.
He has recorded more than 15 discographic materials with the most remarkable mexican Jazz musicians. He has played with musicians such as Fernando de la Mora, Eugenia León, Francisco Céspedes among others.
Recently he plays with the jazz Big Band Zinco group, la tricota del ritmo, Ricardo Benítez Jazz Quartet , Perata-Molina-Kaut trio, Magos Herrera, Gonzalo Romeo and is a founding member of Paté de Fuá as the contrabass player and Dancer.
Gabriel Puentes:
Drums.
With an uncommon instrumental variety (accordion, bandoneon, cavaquinho, banjo, cornet, alto horn, guitar, vibraphone, marimba, contrabass, drums and voice), Paté de Fuá is an unconventional proposal offering extreme change because the musicians play more than one instrument.
Giving priority to the personal concept of their interpretation, making original compositions and arrangements, and keeping careful selection of the repertoire, Paté de Fuá has become one of the most distinguished groups within the Mexican musical scene.
The original compositions are from Guillermo Perata and Yayo Gonzalez. These compositions have a strong influence from old musical styles, which are widely enriched with the talent of the musicians of the band.
The repertoire includes dixieland jazz, mussete waltz, fox-trot, tango, tarantella, paso doble, and distinctive elements of the traditional world music, explored and composed by these outstanding musicians; with their creativity they offer us a rather unique style that leads to a modern attitude that has not been previously known.
The nature of the band is mainly acoustic, warm, and enormously versatile. They have great artistic, creative, and interpretative backgrounds. They all come to Paté de Fuá from different musical pathways such as Jazz, Tango and Classical music leading to the merging of their styles and personalities which in itself creates the identity that characterizes the project.
Considering that in today’s musical horizon it is much easier to fall into repetitive formulae, that express abstract languages with nonlegible speeches, to force avant-garde expressions, Paté de Fuá proposals, not diminishing the others, searches exactly the opposite. Paté de Fuá proposes without forcing, invites by the work itself, from the own musicality and essence of its content. The complexity of such material is not in the language, but in the careful selection through the search and development of musical material. Which rescues the basic spirit of the music that is, was and will be, born to be listened.
Guillermo Perata:
Cornet, Banjo, Cavaquinho, Alto Horn, Composition & Musical Arrangements.
Yayo Gonzalez:
Guitars, Voice, Composition & Lyric Writing.
Víctor Madariaga:
Accordion & Bandoneon.
Alexis Ruiz:
Vibraphone & Marimba.
Jorge Luri Molina:
Contrabass.
Gabriel Puentes:
Drums.
Guillermo Perata:
Cornet, Banjo, Cavaquinho, Alto Horn, Composition & Musical Arrangements.
He was born in Buenos Aires the 31 of January 1973. He studied classical trumpet with Pascual Mazzitelli (Teatro Colón Orchestra).
He developed remarkable features in improvisation in an autodidact form, integrating since 1992 musical groups with different styles.
Since 1998 he is a leading instrumentist and arranger “Los Rolling Stompers”, With this group he has performed in the most important stages
of Buenos Aires. In 1999 he formed the "2-Trumpet Quartet” and in the same year he takes part in the Argentinian Jazz Orchestra. In July of the 2000 he traveled to the “34th Montreaux Jazz Festival” with the “Buenos Aires Jazz Orchestra”, as one of the main soloists.
Since 2003 he is living in Mexico city and has participated in diverse projects such as “Tijuana Trash”, "Arte 01 Big Band" and "La Tricota del Ritmo". In 2004 he forms the group "Los Rolling Stompers" again with some of the most remarkable mexican jazz players and in 2005 Paté de Fuá.
Yayo Gonzalez:
Guitars, Voice, Composition & Song Writing.
He was born in Buenos Aires Argentina the 14 of may of 1977. He is a composer, singer and guitar player. He studied at the “Escuela Popular de Música del Sindicato Argentino de Músicos” (1997-2002) and in the “Conservatorio Nacional Juan Manuel de Falla” (1998-2003) and is currently living in Mexico City where he has founded Paté de Fuá.
He has taken courses with Eduardo Kacheli, Juan Benítez, Armando De la Vega and Gustavo Mozzi among others.
He has taken part in different musical groups: Plaque Trío: A Tango guitar trio, where as a founding member and arreglista has developed or pefomed (se ha desarrollado) during the period of 1998 to 2002 and participated in Tango festivals in Argentina such as the fetival of music from the “el festival de la música del sindicato argentino de músicos “ sharing scene with artists such as Rodolfo Mederos and León Gieco. Yayo y los Gonzalez: Southamerican popular music quintet, were he has worked as a composer, arreglista, guitar player and Singer during the period of 1999 to 2003. With this group he traveled to Mexico for the first time and participated in the historical center Festival in Mexico city. He is also a founding member of the quartet Cuatro de Copas and de Duo Los Mareados.Now a days with Paté de Fuá he has performed in great scenaries and festivals of Mexico such as Festival del Zócalo, Festival del Desierto San Luís Potosí, Universidad del Claustro de Sor Juana, Zinco Jazz Club, Papa Beto Jazz, Centro Cultural Juan José Areola Casa del Lago, Lunario del Auditorio Nacional, Colegio de México, Pata Negra, among others.
Víctor Madariaga:
Accordion & Bandoneon.
He was born in Mexico City and studied accordion at the . Escuela Nacional de Música de la UNAM. During two years he studied accordion at the Gniesin Institut in Moscow Russia and became the first latinamerican student with a scholarship in that institution, one of the most prestigious world institution in the accordion cathedra
He took magistral classes with Aldo Rizzardi and Claudio Jacomucci italian accordionists and with the argentinian bandoneonist and composer Cesar Olguín.
As a soloist he has performed in different recitals in mexico city and in other places of the country as well as in radio and T.V.
He represented Mexico at the international accordion contest held in Caracas Venezuela.
He has also performed with different theater and dance agrupations in Uruguay, Argentina, Venezuela, Italy, France and all over the Mexican country.
Alexis Ruiz:
Vibraphone & Marimba.
Drummer and Vibraphonist born in Mexico City.
He studied musical theory and piano at the at the “Centro de Investigación y Estudios Musicales”.
He also studies Harmony with Margarita Vega. He also studied a six month long course in recording techniques in Canada.
As a drummer he performs with rock bands: Jessy Bulbo and Titán.
As a Vibraphonist he has colaborated in groups such as “Los Chamberlains”, “los Shajatos” and "Paté de Fuá".
Jorge Luri Molina:
Contrabass.
He was born in México city. At the age of sixteen he began studying classical contrabass and jazz at the “Escuela Superior de Música” with Nikola Popov.
He has performed in Jazz festivals in Germany, France, United States and Mexico.
He has recorded more than 15 discographic materials with the most remarkable mexican Jazz musicians. He has played with musicians such as Fernando de la Mora, Eugenia León, Francisco Céspedes among others.
Recently he plays with the jazz Big Band Zinco group, la tricota del ritmo, Ricardo Benítez Jazz Quartet , Perata-Molina-Kaut trio, Magos Herrera, Gonzalo Romeo and is a founding member of Paté de Fuá as the contrabass player and Dancer.
Gabriel Puentes:
Drums.
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Paté de Fuá Lyrics
A Dónde Vas? ¿Adónde vas? Afuera no para de llover La noche es larga Y un…
Adoro Adoro la clase en que nos vimos La noche cuando nos…
Boquita Pintada Tu boca pintada siempre fue mi perdición Junto a ti pensaba…
Celoso y Desubicado Sabes que como te quiera nunca nadie va a quererte Que…
Cien Años Pasaste a mi lado Con gran indiferencia Tus ojos ni siquiera…
Como Fue ¿Cómo fue? No sé decirte cómo fue No sé explicarme qué pasó …
Corona de Espinas Mi corona de espinas y angustias Tu vestido de rosa blindad…
Cuatro Lunas No sé si he de mirar al firmamento Yo vivo entre…
El Borracho Con la mirada perdida y el semblante desgastado Pueden verlo…
El Extranjero Yo vengo de una tierra lejana, donde las aves cantan distin…
El Fantasma Enamorado Cuando vuelan murciélagos Por los cielos en la obscuridad …
El Soñador Dando vueltas en la oscuridad Desde que no estás aquí Solo s…
El Supermercado Amurado en tu recuerdo ayer anduve caminando Por tu barrio …
El Tren de la Alegría Viejo tren de la alegria Solo te miro pasar Poco se de…
El Vals de las Bicicletas Caminando los dos de la mano Posamos los ojos en esa…
El Valsecito de Don Serafín Un acordeón, guitarra y violín Era la orquesta de don seraf…
Estos Celos Te miré Estabas tan bonita, tan sensual Te imaginé ajena y m…
Falso Olvido Viviendo como si te hubiera olvidado Fingiendo que amo a alg…
Háblame de Ti Me dijiste "hola" Con una sonrisa, por cierto, tan linda com…
Hacia el Sur Intentaras escapar Del olvido y la memoria Sembrando eternid…
Invitación al Vals Muy buenas noches señorita sepa disculparme usted La contem…
La Canción del Linyera Cuando se asoma alegre el sol Sobre los campos del talar J…
La Colegiala Ella es una pobre colegiala Que jamás salió de su pasión P…
La Lupita Todo lo que sabe del amor Lo aprendió mirando la novela Se…
La Tempestad Como el sol De un amanecer Abrazando la oscuridad Aprendimos…
Lista Negra Buenas noches, gusto verte Si te encuentro, disimulo Y te sa…
Llegó Tu Amor Llegó tu amor con la mirada de un sobreviviente Fue luna…
Llévame en un Beso Llévame en un beso donde nace el infinito Donde se ha…
Llorarás Cuando el poder de tu encanto se marchita Al igual que…
Lo Mismo Que a Usted A mí me pasa lo mismo que a Usted me siento solo lo…
Más Allá Si es que tú me has olvidado Si es que tú…
Mendigo del Amor En las cuentas del amor, después de tantas derrotas, he he…
Mi Corazón Mi corazón palpita con tu encuentro, Obsesionado por volver…
Mujer Que Te Peinas Mujer que te peinas mientras la mañana En cada ventana se…
Muñeca Se asoma la mueca feliz de tu risa Descubre sin prisa…
Negras Golondrinas Negras golondrinas que van dejando atrás La distancia con su…
Nena Nena Dame un besito de tu boca Esa boquita que provoca Quier…
Nosotros Dos Paso la vida tratando olvidar lo que fuimos Pero no puedo…
Paloma Cruel Como un barco hundiéndose en el mar Vengo a ahogar mis…
Paloma Querida Por el dia que llegaste a mi vida Paloma querida me…
Película Muda Hoy te ves tan hermosa Que no puedo ni hablarte, Distante …
Piensa en Mí Si tienes un hondo penar Piensa en mí Si tienes ganas de…
Princesita Princesita, refugio del alma La noche está en calma y en…
Queridos Amigos Por la bendición de tenerlos a un lado Queridos amigos, me…
Se Me Olvidó Otra Vez Probablemente ya De mí te has olvidado Y mientras tanto yo T…
Sin Razón ni Despedida El que se va se lleva en el adiós Mil lunas…
Te Conozco Mascarita Detrás de las sonrisas Que lucen tan amables Se esconde el d…
Triste Historia Triste es el vals que murmura el ayer, Triste su hechizo…
Tu Pecado Ayer te vi cuando por la calle Ibas del brazo de…
Vals Caminando los dos de la mano Posamos los ojos en esa…
Vamos a morir Cuando llegue aquel instante ya no habrá misterio. Con los …
Viejo Puerto Será por tu misterio de ruina y despedida Será porque mi…